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BLIND HARP PLAYER IN CUZCO Print

Claude Guillemet

France

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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8 x 10 in ($70)

8 x 10 in ($70)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$150

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

During 2 hours, I followed two blind Indian musicians through the streets of Cuzco. At the Cuzco altitude, the air is totally pure and unpolluted, what gives this strong shadow - which is actually the subject of this painting.

Year Created:

1996

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Size with Frame:

13.25 W x 15.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

For many years, I have been exploring ship-graveyards around the shores of Brittany, the atmosphere of which has always strongly attracted me. These are places that call for meditation, sending messages to whom can open his ears to hear them. Some say these graveyards serve no purpose - but then no less than human graveyards do. Whatever the case, as part of the local patrimony, they are doomed to disappear very shortly in the modern times we are living. When you look at the wrecks at a close range, you can discover some fascinating views ; and I personally found there some unusual subjects for my paintings and for my photography. Under the ravages of the sun and the wind, of the water and the salt, the wooden hulls display, like onions do, fragments of the successive layers of paint they received throughout their lives. The saturated colours are often the same as those of Van Gogh’s palette, whereas in other spots the vision reminds us of the compositions created by Nicolas de Staël’s palette knife. As for the steel hulls, they have long since lost their coats of paint. Instead, the elements have eaten into the metal, bringing to light some iridescences with unlikely colours and mysterious fantasia : BEAUTY IS EVERYWHERE, YOU JUST HAVE TO GO AND FIND IT ... A book showing a choice of 150 photographs has been self-edited in 2015 and two prints of it have already been issued.

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