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"Banksia" Fine Art Print
$40
Material
- 100% cotton, acid-free, museum quality paper
- Printed with archival pigmented inks
- Has a 2"-3" white border with matte finish
Size
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
Artist Recognition
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Walking in the Red Gum Forest of Wyrrabalong the pure white sand ridges support Banksia that grow into leaning and twisting shapes inside knobbled, corky bark, that is grey and black from fires. I drew this tree in the bush with a reed pen and sticks then painted ink washes to model and locate it.
Year Created:
2019
Subject:
Styles:
Medium:
Print, Giclee on Fine Art Paper
Rarity:
Open Edition
Size:
8 W x 12 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
Born in Melbourne, Australia and lived in all states of the east coast.
I have continued a dual career as artist and landscape architect. I work in painting and drawing, pastels and sculpture.
My artwork is a direct response to the experience and emotion of bush walking and my personal study of other artists’ practise and philosophy.
The ink drawings are the most direct and reflect the initial reaction to the bush. I have developed a lifestyle of frequently walking in natural areas. The drawings help me to more fully experience and describe my response to places, their rhythms and the rocks and the plants and animals found in them.
Scale and point of view is important in my interpretation of the landscape how monumental scale, perspective and point of view influences to experience of the landscape.
The use of ink drawn with found objects assists in establishing direct and unpredictable marks to build on using ink wash and watercolour.
Most work has a substantial base outdoors and is finished in the studio. I enjoy the subtlety and strength of ink and the direct colour of pastel and watercolour.
Sculpture is developed intuitively from the from these experiences and as a way of exploring conceptual ideas about change.
Recognition:
Artist featured in a collection
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