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CARPET OF POPPIES Print

Maria Tuzhilkina

Spain

Open Edition Prints Available:
Select a Material

Canvas

Canvas

Fine Art Paper

Select a Size

16 x 20 in ($160)

16 x 20 in ($160)

Select a Canvas Wrap

Black Canvas

White Canvas

Black Canvas

Add a Frame

White ($160)

White ($160)

Black ($160)

No Frame

$320

19 Views

6

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

How beautiful is this wild flower, crowned with an elegant scarlet cap, with a black center! How tenderly its delicate petals, like butterfly wings, flutter in the wind and shimmer with silk! The painting is painted in the technique of geometric cubism. To create a fiery mosaic carpet, a palette from soft pink, orange, scarlet to burgundy shades is used. Bright flower buds make their way through the emerald, bright green, gently light green grass. The edges of the picture are drawn and you can immediately place it in the interior. This unique copy will be delivered in a reliable package and will become an original addition to your living room, hallway, bedroom.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 20 H x 1.25 D in

Size with Frame:

17.75 W x 21.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have been drawing since childhood, I have a professional education as an artist-designer. For over 10 years I have been a “free artist”. Participated in exhibitions, works are in private collections in Russia and Europe. I paint pictures in the style of cubism. My eyes see not only the outer, integral shell, I want to decompose each object into its components, to give them a geometric shape. In my works, I show the viewer how much color affects the shape of an object, and vice versa, how much the form is able to dictate its conditions. My favorite material in my work is acrylic, it is he who allows you to create a clear shape and display the color rendition as close to reality as possible. I like the combination of matte and glossy surfaces, so I use the technique when not all part of the work is covered with the finishing varnish, but only the selected elements. This creates additional volume and play of light. I am often asked how it is possible to collect such clear, even segments? Am I using computer graphics? No, all the work, from the sketch to the last stroke, was done by hand. My task is to complete every detail perfectly so that the viewer, when looking at the picture, would say: "Wow!"

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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