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Archival-grade Materials
Fade-resistant Inks
Professionally Printed
Artist Recognition
CHAMANES are a family of reinterpreted pieces of Peyote seeds; and perhaps along with the Peyote Hearts, they are the most representative of the Happy World series. "Los Chamanes" are the central figures of the Huichol communities, because in addition of having authority, they maintain the living t...
2019
Print, Giclee on Fine Art Paper
Open Edition
8 W x 10 H x 0.1 D in
No
Not Framed
Ships Rolled in a Tube
Calculated at checkout.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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I define myself as an artist who uses geometry as a compositional support, influenced by modernism, functionalism, and deconstructivism.
I am the overall winner of the 2025 VAA Artist of the Year Awards and have been named one of the 15 best-selling artists in Saatchi Art history.
Unlike a purely decorative pursuit, I base my series on years of research into Mexico's material heritage, even going so far as to create my own natural pigments using indigenous techniques. I seek to represent a purposeful fusion between tradition and global modernity, standing out for Abstraction with a Denomination of Origin: I aim for minimalism to cease being a "renunciation of representation" and become a natural expression of Mexican culture. I use elements such as mamey, huitlacoche, or peyote, etc., to anchor geometric abstraction in Mexico's organic identity. In my most recent series, "Wonderland," I explore the transcendence of cultural clash (the conquest) and how "Mexicanness" contributes to the current global context. Instead of following trends, I employ a vibrant palette inspired by traditional crafts and textiles, applying it with a technique of transparencies and layers that invites the viewer to a close and emotional observation. I reinterpret figures like alebrijes, not as monsters, but as physiognomic guides and protectors of the architectural space on the canvas, elevating folklore to a category of universal abstraction.
Recognition:
Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
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