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View In My Room

Call It A Ritual Print

Paul William

United States

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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9 x 12 in ($52)

9 x 12 in ($52)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$132

21 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is a painting of Newbury Street in Boston, Massachusetts, USA. ----- “Lighting effects impress us; more than any object represented as large we find to be beautiful. Masses impress us...the vast extent of the ocean; by the dark profundities of the forest...accompanying ideas of duration, gran...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Size with Frame:

14.25 W x 17.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

By day I’m a construction project manager and spend hours working on building projects in the Boston area. Through this process I get to know a building intimately working on it every day for months (or years) at a time. But even more influential is living and working in Boston which enables me to see the city over time, in all seasons, weather, and times of day. If a motif catches my eye I often go back to places numerous times to see various conditions that will allow me to capture the feeling that I would like to communicate. Art, architecture, and building have always been a part of who I am. These paintings in this portfolio are studio works that came about after a period of time spent painting en plein air. I like to consider myself a direct observational painter (like my painting heroes George Nick and Christopher Chippendale), but in the winter of 2018 I fell and fractured my knee cap, limiting me to the studio rather than painting outdoors. I spent this time painting larger works over the course of days and weeks rather than a spurt of an hour or two en plein air. I was not happy about being stuck indoors at the time but the silver lining was that the work in the studio began to develop, the series grew and a body of work ready to show emerged. The intent of my work is to ask the viewer questions. Who inhabits these spaces? What was Boston like when the building was constructed? It’s important to consider what we know about the modern world and then how these decades and centuries old buildings fit into our lives today, particularly if we want to make them last.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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