18 Views
2
View In My Room
Canvas
16 x 16 in ($125)
Black Canvas
White ($150)
18 Views
2
Artist featured in a collection
Fort Royer is one of the smallest oyster ports on the île d’Oléron, situated in the Atlantic off the west coast of France. Here the flat-bottomed boats called “chalands” take off to tend to the oyster beds that lie in the sea channel that runs between the island and the continent. But as some oyster farmers retire and hang up their waders for good, so too are the boats that served them, definitively moored up on narrow tidal channels, next to shabby wooden cabins. What remains are pockets of history in a hauntingly beautiful landscape. This island never ceases to inspire me in all seasons and all weathers. It has managed to keep an authenticity so often lost when a place becomes popular with tourists. There is a peacefulness that remains in so many corners of the island that allow one to just sit and reflect. In a world so often fraught and busy, it is wondrous to paint such tranquility, which I hope to transport to the viewer. This work has been made using several underpainting layers in acrylic. Then using glazes and mediums the work has been progressed, layer after layer, to allow a depth and richness of colour. I am a fan of the colour turquoise and if like me, you are too, then this painting will bring you all the turquoise you need in your life along with a wonderful feeling of serenity.
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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"A moment never lasts, it is here for us to take. To hold, to let go. To imprint, behind our eyes, to burn, into our souls. To remember, for an instant. To forget, in another. One moment. Here… And then… it’s gone." Such is the immanent conceptualisation expressed in Amanda Rackowe’s work. Her exploration of the transient interchange of human existence at specific moments in time ushers us into an ambiance of semi-surreality, where her images slide between figuration and abstraction. This sometimes inchoate ambiance reflects her concerns with the fragility of instant and space and their transient imbrication. Unconscious crossovers of lives and memories exist in scenes where the viewer is present, but rarely involved. This torpid and involuntary invasion, albeit a physical infringement, becomes fragmented. There is no insight, no new révélation, into the ego or inner consciousness of one or the other. Working in multiple layers of paint, using washes and glazes, the artist builds a richness and depth of colour, purposefully encouraging the spontaneous marks and runs of paint that breathe life into her work, echoing the determined and the haphazard possibilities of life’s (in)exhaustable journey. Her palette is dominated by an underlying primary red, a nod to the earth’s hot core. Her choice of colour moves within tones of blues, turquoises and crimsons to deep ochres and yellows. Whilst her love of colour is obvious, her fascination with light is also evident in all her work, an early influence from her days working as a theatrical and architectural lighting designer. Standing in front of her work one is solicited to examine and question the seemingly banal experiences of life. Amanda Rackowe lives and works in the south west of France where she taught oil painting for 16 years. She divides her time between the Dordogne and her beloved Île d’Oleron off the west coast of France. Her work features regularly in exhibitions throughout France and is widely collected in Europe, the United States and Australia. She has been awarded various prizes and been invited as guest artist at various art fairs and exhibitions. In 2023 she was selected to exhibit in both the prestigious "Salon des Artistes Français" and "Salon Comparaisons" at the Art Capital 2024 art fair, held annually at the Grand Palais in Paris. She is part of the Paris based art group "Figuration Inévitable".
Artist featured by Saatchi Art in a collection
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