559 Views
5
View In My Room
Canvas
14 x 21 in ($129)
White Canvas
White ($150)
559 Views
5
“I live in an age often called Anthropocene, Capitalocene, etc. in which humanity is represented as a species that because of tits excessive multiplication and exploitation of natural resources, in the closed system of the Earth, is mutating the very delicate natural balance. For this reason, I find fascinating, scary, exciting, and terrible the way humans are acting in the very structure of life (from genetic, nanotechnology to xenobiology, etc.). I’m influenced and attracted by themes as the relationship between natural and artificial, the thinning of the limit between organic and inorganic, the blurring of the edge between physical and virtual. That brings me to mix with (or to recreate through) painting, digitally printed elements that I model with 3D software. The painting is for me an entrance to matter ed to model my idea or first vision through the unpredictable oil painting. The 3D renders are for me a symbol of the industrial, cultural, and informatic that filled and made possible our era as I know it. For me they are a link to the concept of artificial, virtual and technologic”.
2021
Giclee on Canvas
14 W x 21 H x 1.25 D in
15.75 W x 22.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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Elisa D’Urbano was born in Tivoli, Rome’s province, and she works as an artist and a graphic designer since 2014. She attended a bachelor’s in painting at Rome University of Fine Arts. Her main interest was at first the figurative painting, the oniric representation of the human body, then developed in space-time representation, until the relationship between artificial and natural, virtual and real. In 2016 the participation in the project “Chiba”, a collective whose she is co-founder and co-art-director, brings her close to the cyberpunk culture, starting a reflection on the technological “progress” on perception and imagination and the role of the network culture. In these years of experimentation, she learns 3D modeling and digital graphics, trying to insert these digital elements in her painting creations. After her graduation, she starts working mainly as a graphic designer, although continuing to produce painting artworks. In 2018 she moves to Tanger, Morocco, where she collaborated as an anatomic drawing teacher in the Dante Alighieri Institute and starts to explore the artistic discipline of tattooing. Currently, she works as a co-founder tattoo artist in Tanger Tattoo studio and as a painter between Rome and Tanger.
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