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Original Other Landscape Painting by Predrag Djordjevic
Original Other Landscape Painting by Predrag Djordjevic
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Original Other Landscape Painting by Predrag Djordjevic
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Original Other Landscape Painting by Predrag Djordjevic
Original Other Landscape Painting by Predrag Djordjevic
Original Other Landscape Painting by Predrag Djordjevic
Original Other Landscape Painting by Predrag Djordjevic
Original Other Landscape Painting by Predrag Djordjevic

11

"City of Kotor" Fine Art Print

Predrag Djordjevic, Serbia

$120

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 20 in ($120)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I have spent many summers an the coast of Montenegro. The raw beauty of sea, mountains and light serves as inspiration for my work. Weather changes and light changes are remarkable.From mirror like sea surface to several feet of waves it is nature in its full glory. This is a painting of the city of...

Year Created:

2017

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Predrag Djordjevic

About the Artist

Predrag Djordjevic

Serbia

1952 Born in Belgrade,Yugoslavia The use of the stretcher as the surface upon which the painted image appears is unique in my work. For centuries, the stretcher has been the unseen support, used to form the framework behind the canvas. In making use of the stretcher, traditionally the bare bones of the painted image, as the surface of my paintings, I have made the wooden stretcher worthy of our consideration. At the same time I am raising question of the appropriate surface for a painted work.

Recognition:

  • Artist featured in a collection

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