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Devil's Mark Print

Emily Dewsnap

United Kingdom

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ABOUT THE ARTWORK

I’ve been listening to a lot of podcasts about witch trials recently, which has led to me falling into some time consuming wiki holes. The things people did to women they thought were witches were absolutely barbaric. And the reasons for doing it, utterly bizarre. If it was suspected that you were a witch, you’d be stripped and checked all over for the Devil’s Mark (also known as a Witch’s Mark). This could be anything from a freckle to a mole. The Devil’s Mark was said to be where Satan had touched the witch’s body to seal their obedience to him. It was also thought that the mark was a third nipple that witch’s familiar would suckle on. If a mark was located on a suspected witch’s body, they would be dunked in water to see if they drowned – some had their hands bound, some had their pockets filled with stones to make them sink, some were put into a special dunking chair. If the woman survived, she was burnt at the stake. But I’m not in the habit of painting submissive women. So this is Rosemary. She has a Devil’s Mark. She has a heavy, black witch’s knot pendant around her neck, decorated with carnelian stones – carnelian is said to promote sexuality, sexual confidence and self love, as well as having healing powers. All things that the patriarchy would have hated and attributed to witchcraft. On the other hand, Rosemary doesn’t look in distress. I wanted to do an alternate history in a way – this is a calm scene and it looks like she’s saying something; silently muttering an incantation or summoning spell, maybe. In my head I like to think when they drag her out of the water, she’s going to unleash merry hell on her tormentors

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

21 W x 14 H x 1.25 D in

Size with Frame:

22.75 W x 15.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm a freelance artist, based in Leeds, and mainly work in acrylic, gouache and soft pencil, applied with delicate brushstrokes, bold palette knives, heavy graphite and smudgy fingers. Born within the wild hills of the northern Peak District, I began painting and drawing at a very early age and was a regular entrant to the Derbyshire Open Art Exhibition. When working for leisure, my pieces focus mainly on figurative subjects with dark, brooding and occasionally erotic interpretations. I primarily work on commission, which means I have developed a broad range of styles to suit customers’ needs. From pets to family members, precise buildings to abstract countrysides, delicate fairies to valiant superheroes and much more, I'm eager to take on any challenge and add my own twist. I've never formally studied art. I've been painting and drawing as long as I could hold a pencil or paintbrush and I've just developed myself organically. I had my first paid commission at the age of 16 and haven't stopped creating bespoke pieces since. I have exhibited at Buxton Open Art exhibition, and at various small galleries and pubs around Yorkshire.

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