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Devotion Print
Australia
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Fine Art Paper
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8 x 10 in ($40)
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White ($80)
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Artist featured in a collection
About The Artwork
A work from my series: "Groupthink" examining the nature of group behaviour in a closely enmeshed social environment. Sheldrake's "The Presence of the Past" highlighted that “our reality becomes a complex mixture of substance and thought overlapping the present and the past". I hope to elicit questions from viewers about intergenerational responses to change in value systems. The psychological intensity of my compositions through imprimatura-underpainting, glazed layers and theatrical chiaroscuro, are intended to engage the audience in a drama of layered personal and public imagery which has contradictory fictional and satirical narratives. This work has been published in World Wide Art Magazine Issue #9 and can be seen at https://wwab.us/wwa-magazine-8/
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Australia
My initial art training occurred in TAFE and Colleges of Advanced Education in Sydney, Australia the 1970s, where I was strongly influenced by Abstract Expressionism, sculptural formalism and performance-installation art. I practiced as a sculptor and performance artist until the late 80s. This was punctuated by two performances at the Cite Internationale Des Artes, Paris in 1984 courtesy of a AGNSW Moya Dyring Studio residency and an Australia Council travel grant. In the 1990s I began to paint and studied a Master of Arts at The University of Western Sydney from 99-2001.Over 20 years my studio research evolved to embrace the concept of "totalized time" and the stratification of memory in my work lends itself to the historical references I use in my paintings, creating a mixture of philosophical and ideological threads through time.
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