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"Diomedes" Fine Art Print
$51
Material
- 100% cotton, acid-free, museum quality paper
- Printed with archival pigmented inks
- Has a 2"-3" white border with matte finish
Size
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Diomedes (Ancient Greek: Διομήδης) was king of Argos during the Trojan War. He was a son of Tydeus and Deipyle. Tydeus was known for Seven Against Thebes. To avenge his father’s death on that occasion, he marched against the city with the sons of the other kings slain at Thebes, with more success th...
Year Created:
2022
Subject:
Medium:
Print, Giclee on Fine Art Paper
Rarity:
Open Edition
Size:
10 W x 10 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
Ton Bartels is a Dutch artist. He studied at the Gerrit Rietveld Academy, where he graduated in 1978. He lives and works in Houten, Netherlands. Characteristic are his artistic reconfigurations of well-known iconic images from Greek mythology with forays into other art history subjects. Ton Bartels’ posthistorical work carefully examines the linearity of the historical perspective embedded in our visual understanding of the past.
Alternately described as both ‘an unfettered spirit turned artist’ and ‘a contemporary iconoclastic’, his art takes a space beyond our traditional understanding of history to become a bridge between different eras and its new form of visual language. Bartels’ hybrid aesthetic is challenging. He uses a high level of craftsmanship that is based on classical techniques in combination with a twenty-first-century view of the possibilities of image editing, in which an almost Fauvist brushwork is leading.
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