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Original Conceptual Abstract Painting by Robin Decker
Original Conceptual Abstract Painting by Robin Decker
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Original Conceptual Abstract Painting by Robin Decker
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Original Conceptual Abstract Painting by Robin Decker
Original Conceptual Abstract Painting by Robin Decker
Original Conceptual Abstract Painting by Robin Decker
Original Conceptual Abstract Painting by Robin Decker
Original Conceptual Abstract Painting by Robin Decker

1

"Discution mith Robert Irwin" Fine Art Print

Robin Decker

$43

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
8 x 10 in ($43)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Robert Irwin is an artist that I followed closely. He also was in contact with Richard Feynman, who to this day is a great archetype for me, of Joy and new, unusual perspective taking. I have thought for a long time about his ideas about modernism, perception and quality. Nevertheless, I found that,...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My creative work grounds in a profound connection to life, the organic space and the historicity of western art and civilization. As a philosophy teacher and researcher, I have explored the relationship to Nature that the western civilization has established since it's inception in classical art and philosophy, and try to think a new fundamental ontology, being able to re-open history after the postmodern. This research opened up my interest to the dialectic structure of art history, but also to the dynamics of narrative structures as present in myth, archetypal storytelling and film. I today propose seminars both for Art/ Architecture or film schools, trying to articulate narratives after post-modernity. Art/ Architectural and Arch' narratives that, though integrating the modern, take us back to pre- classical Ontologies of Nature and storytelling (cf. for example the Stonehenge/ Woodhenge ontology of Matter - life/ The Biblical narratives taken from a humanistic/ mythical perspective). Art/ Aesthetics, beyond a simple Window, opened on the world (Cf. Alberti), become a Doorway, restoring and revitalizing our shared symbolic experiences. Art/ Architecture/Narrative as a symbolic form, reawakening a common "Lebenswelt" (Lifeworld), from a new felt sense of past and future.

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