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Drawing no. 52 Print

Elif Gurbuz

United Kingdom

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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9 x 12 in ($44)

9 x 12 in ($44)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

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$124

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic drawing, originally drawn on 59.4 x42 cm paper. Printed as a high-quality Giclée art print on rich etching paper. Unframed. A celebration of form and happy accidents. The intuitive process that allows curious explorations, happy accidents and drawing freely like a child also quiets the criti...

Year Created:

2022

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Size with Frame:

14.25 W x 17.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I'm an independent artist based in London, working in abstract drawing, painting, collage, and visual poetry. My work translates the subconscious into bold, diagrammatic images through a generative process that quiets the critical mind and unlocks a creative flow. I make art automatically, welcoming serendipity, chaos and happy accidents. My work balances simple, primitive forms and complexity by following predetermined algorithms, which outline instructions that I follow like a human-machine. By anthropomorphizing machine logic, I introduce ambiguity into formal decisions, while practising rituals that train my creative muscles like a computer. This builds new aesthetic pathways into my art. While the algorithms become poetic side pieces, they also become the context for the visual outcome. The rhetorics of the algorithms vary from abstract to precise and emotional to rational, generating restriction and freedom in varying degrees. This ongoing research explores human-made generative art through the lens of error. The aim is to uncover the subconscious and intuition in visual form. I am a conceptual design director and art director specialising in digital products. For the past 12 years, I’ve worked with top agencies and leading global brands in London, Amsterdam, and Berlin. With an in-depth understanding of brands and technology, I work in multidisciplinary teams, transforming concepts into experiences. As a creative leader within the digital industry, I help establish a shared language between creatives and technologists. I’ve taught no-code generative design workshops at the Pratt Institute and Central Saint Martins, the principles of which I’ve implemented into my art practice. I've also run a mother-daughter stationery brand for a decade that now is an online archive of artist books, called the Creative Minds Project.

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