218 Views
8
View In My Room
Canvas
20 x 16 in ($161)
Black Canvas
White ($160)
218 Views
8
Mythology, mysticism, and spirituality are recurring themes in my work. Originally, I was commissioned to do a painting for a friend with a woman in a yoga pose, "Arlene's Girl". My friend had very specific requests for color, pose, surroundings, and even her shoulder tattoo, that, as a commissioned work, I was obliged to honor. That image in that painting stayed with me, and I painted another image, "Going Nowhere", which represented a Dryad at such peace and such independence that she would never need to go anywhere. It took a long time of painting, re-coloring, and re-painting, almost a year, before I got her to where she wanted to be. That painting sold in 2015. But, like many of the images that speak to me, Dryad wasn't finished with me yet. With Dryad, the image has now, finally, reached the place she wanted me to take her--her forest, her stream, her secret world. Note: This painting is one of three of my works selected for the October 2019 - September 2020 exhibition, "THE SECRET LIFE OF EARTH: Alive! Awake! (and possibly really Angry!)", at the American Visionary Art Museum () in Baltimore, Maryland, USA. It will be available for sale in October 2020.
2019
Giclee on Canvas
20 W x 16 H x 1.25 D in
21.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
Ships in a Box
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United States
Mark identifies as a symbolist. Classified over his 40-year career under many different categories, including “folk artist”, “outsider artist” and “visionary artist”, self-taught Mark Casey Milestone has never adhered for very long to any label applied to him and never wanted to fit into a particular category of artist. “Art chose me; I didn’t choose art.” As long as he can remember, he knew he was destined to be an artist and has created art in many forms and formats for most of his life--sculpture, whirligigs, machines, music, writing, watercolors, sketches, oils. Over time, Mark’s medium of choice has become oil on either wood panel or canvas. With local, regional, national and international shows, and a feature in The New Encyclopedia of Southern Culture: Folk Art (Volume 23; 2013: University of North Carolina Press), one can trace the evolution of his art along with the evolution of his life. Every piece of work represents a new journey, a new step, a new adventure for Mark. His Artist's Statement: My artwork represents what I have done since I was a small child — making things. That has always allowed me to be happy, even during a childhood that I know now was a bit spotty. When I was about five, I remember helping my grandfather rake freshly mowed grass. He gave me a nickel for my efforts. I was allowed to walk to the country store, about a block away, to buy candy. On my way home, I was so happy with my little bag of candy and with how blue the sky was and how the grass was light green. Life seemed mysterious and beautiful. I don't know quite how to describe it, but it is as if the Earth and sky dropped down inside my soul. I noted how totally happy I was, and thought to myself how important it was to remember this particular time for the rest of my life. I think that I came home a slightly different person from when I left. About a year later, we moved into a house which I immediately explored. In the basement, I found an old paint-by-number set. It was the deluxe set! With a whole flock of ducks! The surface was warped and moldy. I found a piece of plywood about my height. With the brushes and oils from the paint set, I painted my first life-sized farmer. I remember he was barefoot. All my farmers were barefoot with the green grass growing over their feet. I remember the brushes being fairly small; my painting was fairly large. It took me a long time.
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