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Canvas
12 x 16 in ($190)
Black Canvas
White ($135)
26 Views
2
Ecce Homo is a depiction of the flagellated Christ presented to the masses by Pontius Pilate, whose visage, at the upper left, is a study of disdainful indifference. Restrained by ropes, his face bowed in gentle acceptance of his fate. Christ's nude body contorted with a physically impossible but not inelegant torsion is bathed in a golden light. Consistent with the spiritually instructive goals of ecclesiastical art of the Counter-Reformation, everything in this painting is intended to heighten its emotional charge and to underline especially the contrast between the noble pathos of Christ's suffering and the black background which also informs the compositional structure. There is no illusion of deeply receding space in an atmosphere of dramatic emotionalism and expansive theatricality with a soft, light brushstroke. The concept of the Christ in Christianity originated from the concept of the messiah in Judaism. Christians believe that Jesus is the messiah foretold in the Hebrew Bible and the Christian Old Testament.
2017
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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Tiago Azevedo is a painter and architect who was born in the Azores Islands amongst the mystique of the fog and fantastic landscapes that stimulate creativity and inspiration. Upon his graduation as an architect, he worked in Portugal and Germany, having several important projects in his portfolio such as the restoration of the Bayerischer Hof Hotel in Munich. Even though the painting has always been his passion and driving force, it was his understanding of form and proportion that led him to follow his true passion for painting and turn it into a career, discovering the value of pursuing his dreams. He has participated in numerous exhibitions in cities all over the world and has won the respect of the public and international art critics. Tiago has exhibited at the Louvre in Paris, as well as in Rome, in an event sponsored by the Vatican – which is a perfect match for the religious aspect of his art – and also in New York, what brought him together with artists, galleries, publishers and art collectors from all around the world. His inspiration and themes are mostly related to religion and fantasy, including the tales of The Brothers Grimm and Hans Christian Andersen. The Baroque also fascinates him for its contrast and dramatic effect, which he combines with a fantastic contemporary aesthetic. At a technical level, what fascinates him the most is classical oil painting and his work can be stylistically integrated into Pop Surrealism for it combines contemporary concepts with classical techniques from the great masters of the art world. Beyond the art exhibitions, Tiago is working on his second illustration book. This arose from the need to compile his paintings in a format that could convey the literary component of his work: the tales and fables that we all grew with. He has been compared to Margaret Keane and states that the comparison may arise from the enlargement of the eyes, which makes it easier to transfer the emotion to the canvas. His artwork can be defined as a way to transform his visions and dreams into matter, being that painting is for Tiago the most direct and effective way to express himself. Tiago’s investment in art exceeds his own work as his art gallery has helped other artists finding the strategy and strength to build a successful career and participate in important international art exhibits.
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