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Engineering an Empire Print

Philip Leister

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14 x 21 in ($129)

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16 x 24 in ($139)

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ABOUT THE ARTWORK

Engineering an Empire is a program on The History Channel that explores the engineering and/or architectural feats that were characteristic of some of the greatest societies on this planet. It is hosted by Peter Weller, famous for his acting role as RoboCop but also a lecturer at Syracuse University, where he completed his Master's in Roman and Renaissance Art. The executive producer is Delores Gavin. The show started as a documentary about the engineering feats of Ancient Rome and later evolved into a series. It originally ran for one full season of weekly episodes. Dr. Peter Francis Weller (born June 24, 1947) is an American film and stage actor, television director, and art historian. Weller has appeared in more than 70 films and television series, including RoboCop (1987) and its sequel RoboCop 2 (1990) (in which he played the title character), The Adventures of Buckaroo Banzai Across the 8th Dimension (1984), and Star Trek Into Darkness (2013).[2] He has also appeared in such films as Woody Allen's Mighty Aphrodite (1995), the Oliver Stone-produced The New Age (1994), and David Cronenberg's adaptation of William Burroughs's novel Naked Lunch (1991). Aside from a Saturn Award nomination for his RoboCop role, Weller received an Academy Award nomination for his 1993 short Partners, in which he also acted. In television, he hosted the program Engineering an Empire on the History Channel from 2005 to 2007. He also played Christopher Henderson in the fifth season of 24, Stan Liddy in the fifth season of the Showtime original series Dexter, as well as Charles "Charlie" Barosky in 11 episodes in the sixth season of Kurt Sutter's Sons of Anarchy. From 2012 to 2017, Weller was involved in the A&E (now Netflix) series Longmire both as a director and an actor. In 2017, Weller appeared on The Last Ship as Dr. Paul Vellek. Weller also holds a Ph.D. in Italian Renaissance Art History from UCLA. Source: Wikipedia

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

14 W x 21 H x 1.25 D in

Size with Frame:

15.75 W x 22.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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