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An appreciation for the complexities of growing mold drives the desire to explore the processes of growth and decay. The work challenges us into questioning our perception of mold as repulsive, highlighting its intricate beauty and representing its fragile yet powerful existence. Within the body of work the hidden power and potential danger of mold is emphasised through the use of expressive organic mark-making, flowing forms and a pastel colour palette. The textures depicted capture the flourishing presence of fungus while the deliberate use of circular application of marks, emphasises the strength and focuses attention to its delicate aesthetics.
Giclee on Canvas
14 W x 21 H x 1.25 D in
15.75 W x 22.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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Born 1967, England Our changing environment reflects technological developments and human population growth, resulting in the destruction of land, the extinction and endangerment of animals and genetic deformities. In this negative reflexivity, the very same scientific progress that led to the destruction of our world has ironically created the idea of “The frozen zoo”, where stem cell regeneration is being considered by scientists as a future method of regrowth of limbs and organs and for the re-generation of endangered species. Drawn from scientific diagrams, MRI scans, repair and re-growth treatments, this work focuses on (re)imagined hybrid species in both the animal and human kingdoms whilst raising the question as to their viability and of the ethics involved. The birth of a reflexive world of new hybrids is illustrated by the composite imagery being transformed into futuristic forms born from kaleidoscopic imagery representing cell growth.
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