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Original Abstract Painting by Andrea Deschambeault
Original Abstract Painting by Andrea Deschambeault
small-01
Original Abstract Painting by Andrea Deschambeault
small-02
Original Abstract Painting by Andrea Deschambeault
Original Abstract Painting by Andrea Deschambeault
Original Abstract Painting by Andrea Deschambeault
Original Abstract Painting by Andrea Deschambeault
Original Abstract Painting by Andrea Deschambeault

61

"Family Tree" Fine Art Print

Andrea Deschambeault, United States

$125

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 16 in ($125)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Oil/canvas

Year Created:

2012

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

1961 NYC

My interest in painting lies in how far in the picture we are concerning something as modes of thought and situation influence one another. The problem of knowledge as it involves the relation of self and other, works to create both an intimacy and an objectivity with the world. Framing is that construction which takes things out of the world to put them back into a world. I am interested in the signification that goes on in the naming of things, (framing them), and the question that raises concerning the relation between creating and discovering or between creating and producing.

Signification, as construction, obscures a discourse and hides that fact. What is the necessity behind this as a mode of being human? OR Nietzche's pressing question: To what extent can truth endure incorporation?

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