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Original Expressionism Nude Painting by Inga Street
Original Expressionism Nude Painting by Inga Street
small-01
Original Expressionism Nude Painting by Inga Street
small-02
Original Expressionism Nude Painting by Inga Street
Original Expressionism Nude Painting by Inga Street
Original Expressionism Nude Painting by Inga Street
Original Expressionism Nude Painting by Inga Street
Original Expressionism Nude Painting by Inga Street

2

"Flesh Memories" Fine Art Print

→ Inga Street, United Kingdom

$40

Material

  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper

Size

8 x 10 in ($40)

Frame

No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The rape of Chloris by the west wind and her transformation into Flora, the goddess of Flowers.

Year Created:

2013

Subject:

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Contact us.

Need more information?

Contact us.
Inga Street

About the Artist

Inga Street

United Kingdom

In my work I am interested in ‘Who am I’ and ‘What is Real?' The person I was even a few years ago is in many ways unrecognisable, from the person I am today. I feel that if I peel back the layers of our perceived reality, I will find something underneath that is more solid and pervades everything.

I am endeavouring to look below and behind me to see hidden secrets that may be lurking somewhere at the limit of my peripheral vision. I’m looking in the mirror, like Lewis Caroll’s Alice and in the shadows of the lake. I’m fascinated by how the pond shows us glimpses of what’s beneath its veneer, whilst also reflecting the branches and sky behind, all entangled in the surface detritus and pond plants. The three images collide together in one plane. A pane of glass in a window can also show several sides of what is happening at one time.

I’m also intrigued by how the web like structure of branches interweave, like threads of a tapestry unraveling to expose something of the interface, between the inner and outer worlds. Layers, like those of the skin, are peeling back to reveal something but it is as elusive catching smoke.

Recognition:

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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