43 Views
5
View In My Room
Fine Art Paper
9 x 12 in ($60)
White ($80)
43 Views
5
Showed at the The Other Art Fair
Artist featured in a collection
“Flutter” is the first piece from my new series of hot wax encaustics, which I’ve called “Dreamscapes”. It's inspired by the village Brunswick Heads near Byron Bay, Australia’s most easterly point. The Brunswick River runs through the village, and at sunset it lights up in soft hues of lilac, peach and gold. I love photographing the birds flitting through the changing light, then wandering back to my studio, where I preserve the moment forever in layers of beeswax, raw pigment and India ink. This scene in “Flutter” shows a white-cheeked honeyeater chick, fluttering up from the wild grasses at the river’s edge, just as the sun disappears behind the hills. This piece is an archival quality encaustic original. It is prepped with picture hardware, ready to hang, and does not need to be framed. The burnished edges are part of the artistic process, and add to the ethereal, vintage feel of the piece.
2022
Giclee on Fine Art Paper
9 W x 12 H x 0.1 D in
14.25 W x 17.25 H x 1.2 D in
White
Yes
Ships in a Box
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Australia
Finalist, Refocus Awards (People's Choice), 2024 Finalist, The Facet Art Prize, 2023 Finalist, The Alice Prize, 2020 I'm an artist and photographer from Byron Bay, in the beautiful sub-tropical region of the Northern Rivers, on the east coast of Australia. The region is known for its beautiful scenery and spectacular wildlife, which I enjoy photographing as a nature photographer. Alongside my career as a scholar and writer, I've been creating art all my life, exhibiting my work at art festivals around the world. In 2017 I decided to launch my own art business, Scorching Skies Art, as an outlet for my encaustic artworks, some of which can be seen here. The technique I'm known for is known as 'photographic encaustic'. It involves burning layers of melted beeswax into enlarged, heatproof photographs, which are bonded to wooden panels and then transformed into wax paintings through the application of oils, inks, pastels and other materials. The resulting artworks take on a life of their own and are impossible to replicate. I'm drawn to the technique because it has such an ethereal quality, and also because the way the wax and pigments mix under the live flame feels like alchemy. Recent accolades for my work include: Finalist in The Alice Prize 2020 for encaustic triptych, 'Alice's Finches' Finalist in the Lethbridge 20000 Small Scale Art Award, 2019 (for 'Swooping Bee-eater', Skyward Series) Finalist in the 2018 Australian Photography of the Year awards (landscape category) Nominations in the 2017 and 2018 Fine Art Photography Awards, London (nature and wildlife categories) Shortlisted nominations in the 2017 and 2018 Wildlife Photographer of the Year Awards, London (earth's environments and black and white categories).
Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Sydney, Sydney
Artist featured by Saatchi Art in a collection
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