6 Views
0
View In My Room
Fine Art Paper
6 x 12 in ($40)
White ($80)
6 Views
0
In the forgetting room there is a shelf with glass bottles that contain what we will need to relive and transform in ourselves after victory. In the first container, the snake that eats itself, destroys itself and dies - russia. Next is Ukraine, which protects its children with its wings, raises and nurtures them. Embroidered pillows that grandmothers in the villages put on their beds are a symbol of our disturbed sleep due to night air alarms. A fish that swims down and sinks deeper to the bottom is a symbol of lost hope and our fear that our future is being taken away from us. Legs from which blood drips into a bowl - raped and murdered women. A house where blood comes from the chimney instead of smoke - our destroyed homes. Candles are innocently killed peaceful people, a symbol of prayer for the souls of martyrs. A window from which blood drips and rays of light come out - the souls of Ukrainian soldiers who are already in the Kingdom of God. From above everything is watched by the Eye of God in a ring of wrathful fire, and from below - a burning transforming fire.
2022
Giclee on Fine Art Paper
6 W x 12 H x 0.1 D in
11.25 W x 17.25 H x 1.2 D in
White
Yes
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Ukraine
My name is Olena Kayinska. I'm an artist. I'm happy to do what I love the most. I want to make you happy as well with the help of my paintings. My paintings-dreams take the observers inside, to the subconscious, to the core. Trying to find the inner self, the observer wanders through the imaginary world, fantastic forests, filled with symbolic images and archetypical symbols, inhabited with mysterious creatures, each of which provides a guide to the final destination – our heart. My aim is to make people happier. My paintings show the endlessness of obvious and unobvious relationships in this world with the help of mysterious storylines with the metaphysical sense. Being the guide between the worlds, I mix reality and magic in a genuine meditative form of my witchcraft. Direct ascetism of the flat surfaces, completeness, and persuasiveness of the compositions, seamless statics, graphical coding of the deep sense into the schematic images, order, and rhythm of the painting focus the observer’s attention on what is underneath. I want to return the observers to the pure, sincere, and spontaneous experience of the outer world, which we all had in our childhood. Children observe the world as it is, directly, without thinking. My paintings are childishly simple and straightforward. They help recall the child’s state of trust and safety, the state of interest in the world around, the state of fabulousness and love. As if you are being held in hands and told a fairy tale. When we manage to recall this fundamental state and restore the feeling of trust and pureness, the world starts showing us its magnanimous side. My paintings are portals of returning to the pure child’s state of mind and to the joy of being.
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