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Original Folk Landscape Painting by Clarissa Keener
Original Folk Landscape Painting by Clarissa Keener
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Original Folk Landscape Painting by Clarissa Keener
small-02
Original Folk Landscape Painting by Clarissa Keener
Original Folk Landscape Painting by Clarissa Keener
Original Folk Landscape Painting by Clarissa Keener
Original Folk Landscape Painting by Clarissa Keener
Original Folk Landscape Painting by Clarissa Keener

1

"Fruit Stripe" Fine Art Print

Clarissa Keener, United States

$98

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($98)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A fun look at summertime trees.

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Clarissa Keener

About the Artist

Clarissa Keener

United States

Hello and Welcome! I am a painter, using acrylics on canvas. Most of my works are created using palette knives for lots of texture! Sometimes I base my work off of photographs, but they are usually an organic composition. I like working with lots of joyful colors, and let the piece be fun, whimsical, but also thought-provoking. I believe that different viewers will see different things in my pieces, and that’s totally okay. Ultimately, I want the viewer to feel something within the wide range of human emotion in each respective piece.

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