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Canvas
16 x 12 in ($95)
White Canvas
White ($135)
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Artist featured in a collection
I like to include symbolism in my work, whether that’s crystal therapy, scandanavian folklore, pagan, catholic… too many to list here. I’m obsessed with religion, mythology and the crossing over of Chinese whisper stories in the history of our current belief systems in the way only an atheist can be. I find it all so spellbinding. So in this mermaid painting, I added a rose quartz egg – rose quartz being traditionally associated with inner love and peace. Galene is arching up towards the skyline, almost like she is kissing the sea calm, and her hands are splayed in front of her, one in the water, one out as if she is commanding both the water and the weather to be still. There is a difference in the setting that Galene finds herself in – the blue waves of the cool sea as the backdrop and the warmer shallow rock pool in the foreground. The waves and rocks I painted in a kind of frenzy, but the foreground was built up with many layers to create a feeling of craggy depths and frothy plantlife beneath still water. I used a thin gouache layer to create the top coat and create a translucent overlay and give the impression of shallow reflection. The light from the sun that has just broken through the clouds, reflects back off the surface onto Galene’s torso. Not dissimilar to the flashes of light reflecting back onto the siren in my painting, Siren Call. But unlike Siren Call, Galene’s nudity is not meant to represent desire. He hair hangs long and fair down her back in half wet tangles, drying in the sun. And, although beautiful, she is completely preoccupied with the task at hand.
Giclee on Canvas
16 W x 12 H x 1.25 D in
17.75 W x 13.75 H x 1.25 D in
White
White Canvas
Yes
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United Kingdom
I'm a freelance artist, based in Leeds, and mainly work in acrylic, gouache and soft pencil, applied with delicate brushstrokes, bold palette knives, heavy graphite and smudgy fingers. Born within the wild hills of the northern Peak District, I began painting and drawing at a very early age and was a regular entrant to the Derbyshire Open Art Exhibition. When working for leisure, my pieces focus mainly on figurative subjects with dark, brooding and occasionally erotic interpretations. I primarily work on commission, which means I have developed a broad range of styles to suit customers’ needs. From pets to family members, precise buildings to abstract countrysides, delicate fairies to valiant superheroes and much more, I'm eager to take on any challenge and add my own twist. I've never formally studied art. I've been painting and drawing as long as I could hold a pencil or paintbrush and I've just developed myself organically. I had my first paid commission at the age of 16 and haven't stopped creating bespoke pieces since. I have exhibited at Buxton Open Art exhibition, and at various small galleries and pubs around Yorkshire.
Artist featured by Saatchi Art in a collection
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