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View In My Room

Garden Delights Print

Lynda Firth

Australia

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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8 x 12 in ($80)

8 x 12 in ($80)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$160

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Colours are the stuff of delights. My work explores the expression of colour as a kaleidoscope of beauty. This work is inspired by my love of gardens and is an invocation of the joy and beauty found in immersing oneself in flowers of the garden. This work is Sennelier oil pastels on heavy fine art p...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 12 H x 0.1 D in

Size with Frame:

13.25 W x 17.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

COLOUR, HARMONY AND CHAOS: EXPLORING RELATIONAL AESTHETICS. Originally from England and now living in Australia, I've been studying and practising art since 1969. My desire is to explore the relational aesthetics of colour. I am puzzled by the limits that colour theory places on the trained eye. We are led to believe that colours clash, chaos lacks appeal and including colour neutrality and tonality is needed for harmony. Yet contemporary art movements have significantly challenged these assumptions. Op art, pop art, colour field artists and abstract expressionism are just a few examples of these challenges. Artworks require balance for integrity yet, like avant garde music, that balance can be achieved by developing harmony as chaos. Colour relations seem to be crucial. This is my fascination. Personally, I've had three solo exhibitions and seventeen group exhibitions and have sold art pieces for some years now. I've been winner or finalist in three prizes so consider myself an established artist. My motivation is to break the old rules of colour relations in order to find the beauty in the harmonic chaos.

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