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Geesje Kwak and the Secret of the Universe – 28-06-22 Print

Corné Akkers

Netherlands

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ABOUT THE ARTWORK

Geesje Kwak and the Secret of the Universe – 28-06-22 Second Panting This oil painting ‘Geesje Kwak and the Secret of the Universe – 28-06-22’ is my second one. The first was Geesje Kwak – 07-07-21. Plenty of drawings though but for some reason Geesje lends herself to a grand but time consuming elaboration in oil paint. Must be her beauty as well as the lush kimonos. Gradually Developing When I drew the penultimate drawing ‘Geesje Kwak – 08-10-21’ I didn’t have a clue it would result in an actual oil painting. I mean, there are so many drawings to put in oil yet. It is after I made the last graphite pencil drawing ‘Geesje Kwak in Space – 20-10-22’ I had an idea developing. Then came the Risque series in between and the self-induced paiting frenzy that came sudden in February 2022. Last May I felt it was time to finally begin this one and so it came to be. No Abstract Styling Right from the start I knew it would be all about the light she is holding in her hands. Obviously that was the theme in the underlying drawing. So I started out incorporating certain elements of Roundism just as the drawing shows. Soon I realized this was not going to work like it did in the drawing. I simply had too much fun doing the knots in the tapestries. They had the same look as in the first painting, creating a perfect realist feel. I found the roundistic approach in the kimono simply too much of a contrast with the carpets. Next to that, thanks to the thick oil paint blobs in the tapestry I had to paint the kimono even thicker. That left me with no other option than to skip nifty abstract styling. Oil painting on wood panel (85 x 120 x 0.9 cm) Artist: Corné Akkers

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

12 W x 16 H x 1.25 D in

Size with Frame:

13.75 W x 17.75 H x 1.25 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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