168 Views
11
View In My Room
Canvas
12 x 16 in ($95)
White Canvas
White ($135)
168 Views
11
"Give Me a Hug," a modern painting depicting the stark yet captivating landscape of Fuerteventura, carries within its canvas a poetic duality of desolation and intimacy. The subject—a pair of cactuses reaching towards one another—evokes a narrative of yearning and companionship amidst the barren beauty of this sub-desertic land. In the foreground, the cactuses are rendered with an anthropomorphic tenderness, their spiny arms extending in a near embrace that belies the harshness of their environment. The artist’s portrayal of these resilient flora is not just botanical accuracy but a metaphor for connection in a place defined by isolation. Their textured, rugged skins are highlighted by the vivid sunlight, a testament to survival and adaptation. The background serves as a contrasting tapestry that magnifies the cactuses' interaction. The blue sky arches, clear and expansive, a canopy of serenity above the jagged Rocky Mountains. Below, the undulating stretch of Fuerteventura's terrain rolls in subdued earth tones, a silent witness to the stark drama unfolding in the fore. This juxtaposition of the desolate landscape with the affectionate gesture of the cactuses creates a poignant tension within the piece. With "Give Me a Hug," the artist offers more than a mere landscape; they provide a narrative, a slice of life from a place where life is often thought scarce. The choice of title is apt, inviting the viewer to look beyond the thorns and perceive the innate desire for connection that transcends species. In this work, the painter has captured the essence of Fuerteventura not only through its physical characteristics but also through the emotional resonance that this landscape can unexpectedly bestow.
2023
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
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United Kingdom
One falls with the rain One runs with the wind One tries... but remains A child of time Blessing can be, reading one mind Course to return on Bering Strait Line Hold Glory to Gods Pray to collect Francium Butterflies Constantly fight Aurora Tides One lives or One dies One trusts if One must Tries...but still whispers Invisible colours On the derelict roof of this time. In the compelling verses of this poem, the reader encounters the portrait of an artist as a vessel through which the elemental forces of nature and time flow and converge. With a deft use of metaphor, the poet paints the artist as one with the rain and wind—mediums in the eternal act of creation, surrendering yet resisting the ephemeral dance of existence. The artist is both a participant and observer, wrestling with the dualities of life and death, trust and doubt, the visible spectrum and the colors beyond our sight. The poet's reference to the Bering Strait Line is not merely a geographical allusion but a symbolic return to origins, a navigational thread through the labyrinth of the creative process. It speaks to the artist's journey, which is both a blessing and a curse—blessed with the clarity of vision that can penetrate one mind, yet cursed with the Sisyphean task of capturing the essence of Francium butterflies, those fleeting moments of beauty and truth, before they decay into the annals of time. The divine is invoked, not as a deity of worship, but as a witness to the grandeur of the struggle—the artist's prayers are not for salvation but for the strength to continue the fight against the 'Aurora Tides,' the overwhelming waves of inspiration and despair that define the act of creation. The final stanza leaves us with a poignant image of an artist, a creator of worlds, who whispers to the invisible hues, leaving a mark on the 'derelict roof of this time.' It is a testament to the often unseen and unheralded act of creation, which takes place in the solitude of the studio, where the artist engages in a silent dialogue with time itself, leaving a legacy that transcends the decay of material existence. Through this poem, the artist is immortalized not just as a creator of art, but as art itself—timeless, enduring, and eternally enmeshed in the canvas of the cosmos.
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