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"God Particle" Pioneer Gerald Guralnik Print

Yurii Yermolenko

Ukraine

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About The Artwork

Gerald Stanford "Gerry" Guralnik (September 17, 1936 – April 26, 2014) was the Chancellor’s Professor of Physics at Brown University. In 1964 he co-discovered the Higgs mechanism and Higgs boson with C. R. Hagen and Tom Kibble (GHK). As part of Physical Review Letters' 50th anniversary celebration, the journal recognized this discovery as one of the milestone papers in PRL history. While widely considered to have authored the most complete of the early papers on the Higgs theory, GHK were controversially not included in the 2013 Nobel Prize in Physics. In 2010, Guralnik was awarded the American Physical Society's J. J. Sakurai Prize for Theoretical Particle Physics for the "elucidation of the properties of spontaneous symmetry breaking in four-dimensional relativistic gauge theory and of the mechanism for the consistent generation of vector boson masses". Guralnik received his BS degree from the Massachusetts Institute of Technology in 1958 and his PhD degree from Harvard University in 1964. He went to Imperial College London as a postdoctoral fellow supported by the National Science Foundation and then became a postdoctoral fellow at the University of Rochester. In the fall of 1967 Guralnik went to Brown University and frequently visited Imperial College and Los Alamos National Laboratory where he was a staff member from 1985 to 1987. While at Los Alamos, he did extensive work on the development and application of computational methods for lattice QCD.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)

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