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Golden - 18-07-22 Print

Corné Akkers

Netherlands

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About The Artwork

Golden – 18-07-22 Go Hefty Golden is my new project I finished just ago. I thought it was time to extend the Golden series with another oil paint. Golden – 18-05-22 was the last one and I didn’t know what forms to solarize and to style cubistically next. I remembered I made some realistic and impressionist pastels of my regular model years back. Surely I was inspired by her golden skin and it shows in those pastel drawings. This series call for realism finally. Simply Nude This having boldly stated it takes me back to a discussion I had on Facebook some time ago. An American women told me she adored my nude in Slava Ukraini – 18-04-22. Beautiful were it not for those horses I put into her bodily features. That wasn’t necessary she said. I replied I wouldn’t waste a perfect linen to a meaningless nude. Until now I found these kinds of themes a bit exhausted but maybe I have to change my mind. I even regret that statement a bit. Regardless of my endless imagination and capabilities to depict whatever is in front of my mind’eye, plain nude is okay. And why not? Would we dismiss Rembrandt’s Bathsheba or Velázquez Rokeby Venus because of their nudity right in the face? Yellow Screams So maybe after all not an exhausted theme, at least not for me. In fact I hardly have painted realist ones I think. Except for aforementioned Risque oil the last one was 10 years ago: Chinese Nude (2012) (sold). I recall having fun doing that one. Yellow is such a difficult yet rewarding color. It tends to scream in relationship to other colors. So, why not let it dominate anyway and skip most other colors? It also gave me the opportunity to celebrate the exceptional beauty of my regular model’s skin complexion. Oil on canvas (70 x 100 x 1 cm) Artist: Corné Akkers

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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