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Original Other Transportation Painting by Deborah Walsh
Original Other Transportation Painting by Deborah Walsh
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Original Other Transportation Painting by Deborah Walsh
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Original Other Transportation Painting by Deborah Walsh
Original Other Transportation Painting by Deborah Walsh
Original Other Transportation Painting by Deborah Walsh
Original Other Transportation Painting by Deborah Walsh
Original Other Transportation Painting by Deborah Walsh

9

"HINDSIGHT" Fine Art Print

Deborah Walsh

$143

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 12 in ($143)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A local car show was the inspiration for this piece. The orange drew my attention and I don't believe that I've ever worked with such an intense color before and certainly not orange. The reflections of the people walking by added to the attraction and I put myself in the painting. This piece was in...

Year Created:

2019

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 12 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

The independent body of work that I have created over a number of years contains many reflections. Light falling on reflective surfaces, defining form, creating pattern and rhythm, intrigues me. My work begins with source photographs as a roadmap to manipulate and alter the image to create a composition that is aesthetically exciting and meaningful to me. Reflections are used to uncover more detail than what the eye sees naturally; images that might be otherwise missed or overlooked. The “frozen moment in time” is an important element as well as it taps into our shared experiences and emotions and brings narrative into the work. I reveal ideas that photography, expressionism, and abstraction can’t. I paint what I see, as I see it, in my own way. Cars, motorcycles, bottles, glass, the everydayness of American life are my subjects. I choose representation over abstraction but the abstract qualities of the forms dominate; the shapes, lines, textures, and colors are forever interesting to me. Creatively restless and endless experimentation with style, I continue to explore the relationships between hyperrealism and abstraction.

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