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Fine Art Paper
10 x 10 in ($100)
White ($80)
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"Hello! My name is WW3" artwork, part of the Egonia canvas exchange between Maja Dimirijevic and Dijana Vujacic, was painted in four stages as a visual dialogue on canvas: Artists described the process in their diaries: Quotes from Dijana’s Diary February 17, 2022 My woman Modus Operandi, has that dreamy gaze and provocative pose. She feels the power while others observe her, contemplating whether they will move their knee aside, even though it is known they won't. Teaser. I don't know if she will survive Maja's reaction on the canvases but that's the charming uncertainty of egony. No plan. Just spontaneous actions and reactions. Quotes from Maja’s Diary February 24, 2022 But before Saturday, the war in Ukraine began. I am terrified. One morning, when I was three years old, it all comes back to me. Grandpa took me outside on a cloudy day. The whole time we walked... to the store and back, past the bus stop, through the park, I was looking at... that. My throat burned from the neck position, but I had to look up. How was no one but me in total agony because there was no sky?! Only the next day, in a desperately focused gaze upward, I managed to spot one blue hole in the cloud. That became my benchmark for "relief" or "good news." We all need a little hole in the cloud. Quotes from Dijana’s Diary February 27, 2022 I come for my women painting at Maja's and see that she has survived aaaaa so little is needed for happiness. After Maja's brush, they are monumental and powerful like Caryatids, our heroines. I think Maja painted them with pleasure, somehow gives that impression. She didn't dress them; she even expressed their sensuality in the superlative. Quotes from Maja’s Diary March 10, 2022 From the Confident Woman nude, only the nude remains, named "WW3", The hair is "afro," she is sexy, but with a bloody knee and no face because behind her, it's rolling, it's rolling... the last mushroom.
2022
Giclee on Fine Art Paper
10 W x 10 H x 0.1 D in
15.25 W x 15.25 H x 1.2 D in
White
Yes
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Serbia
EGONIA is a visual dialogue with colors on the canvas. This is conversation of two Egos that do not exchange words but exclusively visually interact. There was no verbal communication about the artwork. It was a kind of ritual: each of us started painting on two canvases and exchanged them every seven days. After the completion of "four stages," the painting was "finished," so each painting was created within the 28 days’ time frame regardless of circumstances. During EGONIA, from November 2021 to April 2022, we painted 24 artworks. Technique was the essence of artistic visual expression: oil on canvas. ……………………………………… In the world of contemporary art, how does the essence of the human mind reflect in expression on the artwork? If we put our Ego under "control", can we achieve a deeper understanding of ourselves and others? Years of experience have shaped us through personal criteria and value systems in the sense of limitation and we need to re-explore the questions "Who am I?" "Who are you?" "Who are we?" We need a new meaning, a new connection. The desire for a deeper understanding of ourselves and others inspired us to create joint paintings that would become a mirror of our thoughts, emotions and personal dilemmas. How does it feel when you allow the “Other Artist” to intervene in your artwork? We searched for pure emotion through communication via visual elements: colours on canvas and have experienced the vast range of intensive reactions while the "Other Artist" interfered in the intimacy of our canvas. EGONIA was an inspiring experience, worth the risk of failure, ignoring, rejection from the "Other Artist," reminding us of the power of a joint creativity allowing the deep emotional connection that can develop through artwork. We kept writing diaries during our artwork. When crossed, they explain the origin of the paintings, as well as many dramas, pleasures, and wanderings. All stages of the artworks were photographed, documenting the creation process of each painting. Ritual of exchanging canvases in a time steps of 7 days has liberated us from the usual technique within the limited time frame and led us to the recognition of some new forms and textures in personal visual expression. EGONIA as the process had a strong inspirational energy within improvisation on canvases painted by the "Other Artist," which pushed us to see both of ours potential from a completely new perspective. Maja &Dijana
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