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Human shell Print

Eva Schumy

Germany

Open Edition Prints Available:
Select a Material

Canvas

Canvas

Fine Art Paper

Select a Size

16 x 20 in ($150)

16 x 20 in ($150)

Select a Canvas Wrap

Black Canvas

White Canvas

Black Canvas

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No Frame

White ($160)

Black ($160)

No Frame

$150

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I think of the remains of our body when we die. I found a photo of broken dolls. They seemed to be so lively despite being broken, reminding me of impermanence.

Year Created:

2014

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am deeply interested in the condition of modern existence within a purely materialistic world — a world in which our emotions and multidimensional selves continuously struggle to find recognition and legitimacy. Through my work, I seek to unfold what lies beyond the visible: the layers of perception that can only be seen with the heart rather than the eyes. Satire and surrealism are central to my artistic language. They allow me to shift the dimensions of reality — to question what is considered normal, and to reveal the poetic absurdity that often hides beneath everyday life. My art is an invitation to look deeper, to find meaning in contradiction, and to rediscover the human essence that persists even in a world driven by logic and matter. In my early years, I explored abstraction — vast fields of water-based colors flowing across paper, where gesture and emotion shaped the surface. Later, through studies in photorealism, I discovered the beauty in tension: between precision and intuition, between what is seen and what is felt. I often bend and distort reality, letting form and color echo inner states, much like in expressionism — though I move closer to its figurative edge. My work shifts in style and vocabulary, driven by curiosity and a refusal to settle. I easily lose patience with polished perfection; I prefer when an image reveals insight rather than imitation.

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