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Original Conceptual Women Painting by Into The Forest
Original Conceptual Women Painting by Into The Forest
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Original Conceptual Women Painting by Into The Forest
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Original Conceptual Women Painting by Into The Forest
Original Conceptual Women Painting by Into The Forest
Original Conceptual Women Painting by Into The Forest
Original Conceptual Women Painting by Into The Forest
Original Conceptual Women Painting by Into The Forest

3

"Hurricane Woman" Fine Art Print

Into The Forest, United States

$190

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($190)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Hurricane Woman was completed the night before Hurricane Sandy struck. I think of her as an archetypal figure: a muse, a writer or creator, both powerful and intelligent. This painting was used as the cover of APEX Magazine (and is about to be featured as a book cover for an upcoming poetry public...

Year Created:

2013

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My paintings, often executed in low-lit, moody colors, are filled with bizarre figures, interacting or inhabiting solitary scenes with other unnatural presences, absences, and transpositions. I paint on old book pages and smooth sanded wood remnants, preferring the polished texture of things with lost histories. My intimately sized oil paint compositions often refer to disturbing and deceptive content and lend themselves to ambiguous interpretation. Surrounded by collaged wooden frames, these works are often figurative and a bit fabulist. For me, painting is a way of thinking through sight, and I am inspired by the indirect histories I find in literature and libraries. Object making is my way of rescuing short poems from permanent invisibility.

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