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View In My Room

I Can no Longer be Precious Print

James D Hopkins

United Kingdom

Open Edition Prints Available:
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8 x 10 in ($40)

8 x 10 in ($40)

12 x 15 in ($70)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

From a series of paintings inspired by 3D Blender models, manipulated with adobe illustrator and combined with free-flowing organic oil pastel sketches. . The creation of AI artworks (for example dall-e pro) led me down a rabbit hole of a not so distant future where AI generated paintings outperform...

Year Created:

2022

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

James D. Hopkins (b.1994, Cardiff) is an artist living and working in London. He has exhibited in London, various locations around the UK as well as in Madrid, New York and Florida and in 2018 was an October resident at chaNorth Artist Residency, Upstate New York. James’ work focuses on the asymmetrical and absurd, exploring cultish iconography and performative combat. Consuming an abundance of prolific online media which is absorbed and regurgitated into a mesh of over-saturated grotesqueness; combining humour with a feeling of unrelenting dread. Paintings. Characters and installations which are aesthetically alarming, repetitive, nostalgic humorous and unsettling, grounded in the idea of Kayfabe; a professional wrestling term describing staged events portrayed as if they were real. He works with costume, painting, performance, video, sculpture and installation, often combining these media simultaneously. ​His alter-ego Deadboy the Kid is a member of DANKCollective, a London art collective who focus on the absurdity, humour and violence of post-irony culture.

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