19 Views
5
View In My Room
Fine Art Paper
12 x 9 in ($56)
White ($80)
19 Views
5
Artist featured in a collection
'Abstract' works, produced by the Mehmet Dere, includes interiority as difficult to describe because the art works have artist's own internal grammar. What stands out in this new grammar can be a mystical experience, or even be read as esoteric phenomena in the artist's new forms. Artist's pictorial forms, consisting of interlocking waves and coils would marked a consciousness that develops into a movement and a spiral of thinking (both inside and on). Movement in the composition often becomes a node and the node is repeats itself in moving existence. Dere's paintings offers an experience to the viewers as if expand in the space as shrinking a spiral path or to proceed in a maze. This cruise experience creates visual sensations from a cosmological map to the brain folds or heart, uterus, cocoon, shell forms. The painting always creates or loses a focus through shrinkage and closing movement. The artist refers with this method to the 'hub' and highlights to approach towards a 'self' as act. The artist try to keeps a record of 'shadow' existence as not allowed consciousness, ignored the point that (meaning of Jung) and can be turned-enemy if it misunderstood.
Giclee on Fine Art Paper
12 W x 9 H x 0.1 D in
17.25 W x 14.25 H x 1.2 D in
White
Yes
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Turkey
Mehmet Dere was born in 1979 in İzmir. He graduated from Faculty of Fine Arts, Painting Department at Dokuz Eylül University. He completed his MA in the same faculty and now studying his PhD in Faculty of Arts and Design, Painting Department at Sakarya University. The language that the artist creates in his work exists in an area of many (sociological-psychological) layers that touch one another. The conceptual framework of Dere's early works exists in a political area and deals with the socio-political history of Turkey, its multi-culturalism, identity and creating multi-vocality in terms of belonging and cultural democratization. In terms of form, Dere's generally produce installations through which he can reach the whole from smaller parts. Dere use objects, photos, charcoal patterns and object installations in order to create a personal archive (narrative) in a sense. Also, he create objects based upon the social memory and senses and work on video. In his own words, Dere likes to collect "invisible stories" while creating his works. For the artist, a whole is travelling in time composed of small episodes. Dere constantly feeds his work in this way in their reckoning with and creating reality. Deriving from Turkey's cultural history, the exhibition consists of a series of ironic and upfront constructions, focusing on a research of local and social memory. While the artist builds his work with the retrieved images of the cultural memory, he poetically includes his own subjectivity to all these captivities. Issues of social injustice, resistance and politics of survival are raised not through the artist's observation as an outsider, but from close range; a perspective precisely constructed by the practices of life. This stance, at times tragicomic, and at times built upon the relationship of patience and suffering, is tackled to be presented to the audience time and again, uninterrupted, and almost prayer like. Looking at Turkey's cultural history, while focused on memory, individual and social identity research, the recent work shows an abstract trend towards poetic lyricism fed by internal reality. Dere's non-profit art space , located in İzmir ' Gürceşme', also hosts the contemporary art initiative 49A, of which he is the founder. This studio has been founded with the pursuit to create a space where contemporary art can exist in the rhythm of everyday life, open itself up to the world, and interact with its environment.
Artist featured by Saatchi Art in a collection
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