Inside n.1 Print

My research focuses on a pictorial process, aimed at bringing the visual perception of reality to one state of estrangement and confusion. The subjects I prefer are natural, organic elements belonging to the plant world. Elements that on the canvas they take on the appearance of surfaces, in many cases they are "transformed" into mental landscapes, painted through an objective language, hyper-realistic, and dramatically enlarged, until they occupy the entire surface of the canvas. The effect is hallucinatory, alienating, the perspective is canceled out in the exaggeration of the subject who is deprived of the context in which he finds himself and consequently also of his characteristics, deprived of his identity.