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United Kingdom
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Fine Art Paper
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8 x 12 in ($40)
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White ($80)
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Artist featured in a collection
This dancer is taking a break/interval from rehearsing and where once she may have read a magazine or paperback, she now uses her mobile phone. I wanted to show this almost complete change as to what we now do when we are in public, but alone. Also, the relaxed state of the individual is contrasted with the flexible limbs of the dancer with her legs akimbo. I like to use an abstract background against the figure, I am not sure why, other than it pleases me. Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting, but has a unifying effect. A suggested frame width of at least 60mm or more for this size painting. Narrow frames on large paintings have tendency to not sit well and have a habit of warping. The canvas board has a base wash of Burnt Orange pigment, washes are made with acrylic pigment, professional airbrush medium and water. The subject foundation consists of opaque pigments generally applied in colour blocks with subsequent layers of colour washes. This layering of the work with washes allows for subtle tonal attributes that give depth and intensity, specially in the flesh tones. The overall result is a painting with a malleable texture that has eliminated unnecessary hard detail. Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting, but has a unifying effect. A suggested frame width of at least 60mm or more for this size painting.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Born in Gloucester and living and working in Cheltenham UK. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To recast emotions in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I have sold work around the world, to individuals and organisations and have produced award winning public art (usually with a colleague) for various institutions.
Artist featured by Saatchi Art in a collection
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