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Jumping Series - # 2 Print

Majid Eskandari

Canada

Open Edition Prints Available:
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16 x 20 in ($138)

16 x 20 in ($138)

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White Canvas

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$138

3545 Views

73

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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This painting is inspired by the high jump event at the Olympics. Every blotch of paint, in this artwork, is contributing towards the emphasis of a strong movement.

Year Created:

2015

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Majid Eskandari is a contemporary abstract painter. He was born in Tehran, Iran and is currently living in Toronto, Canada. Majid, plus informal education based on a traditional master, received a BFA from Tehran Art University and a Diploma from Centennial College in Fine Art Studio. He has participated in several group shows in Tehran and Toronto. His work has also had the honour of having some paintings purchased by the President of Centennial for the College’s permanent collection. “Throughout my journey into painting, I have explored everything from non-representationalism through abstraction to high realism, for searching my true personal voice. The subject of my current paintings is usually people, animals, or some special objects, but I don’t try to show them realistically, I have used them simply as a subject matter, but very emotionally, loosely interpreting them to maintain visual interest. In other words, I look at the subject just as some marks in my paintings. Keeping the most of the canvas open and free is important to me – probably as an impact of the use of open in many oriental compositions on me.”

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