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Koi – Tancho Kohaku – 錦鯉 Print

Zuzana Edwards

United Kingdom

Open Edition Prints Available:
Select a Material

Fine Art Paper

Fine Art Paper

Select a Size

12 x 8 in ($60)

12 x 8 in ($60)

Add a Frame

White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$140

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Highly esteemed breed of Koi – Tancho Kohaku with signature marking – ‘red sun’ on the top of their heads. This is an original watercolour painting with peaceful, zen feel, loosely interpreting beloved Japanese theme.

Year Created:

2022

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 8 H x 0.1 D in

Size with Frame:

17.25 W x 13.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Zuzana is a London based artist, a member of Richmond Art Society, International Cultural Ambassador for Rockwell Art Canada and an awarded artist by International Watercolour Masters. Zuzana’s original works can be found in private collections around the world, from Japan to the US. Here is what she has to say about what drives her work. Influences Asian-style paintings and themes, Japanese in particular, appeal to me greatly. I can relate to the wabi-sabi philosophy of embracing imperfection and impermanence. I love the simplicity of ikebanas and the beauty and storytelling inherent in Japanese typography. Most of my work has plenty of intentional white space, also typical of Japanese ink paintings. Inspiration is everywhere. For Still Life I choose very simple subjects: inanimate objects, most recently pottery – with aim to find and convey a specific quality or mood.

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