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Canvas
21 x 14 in ($237)
Black Canvas
White ($150)
44 Views
2
Artist featured in a collection
Acrylic on canvas. 150cm x 100cm 2019 Shortlisted for the Royal Academy Summer Exhibition 2022 An allegory of a lifelong commitment advocating for the environment and protection of endangered species. Influenced by Coelho’s fable about fulfilling one’s destiny on the journey of life, this painting features a self-portrait as ‘protector of the animals.’ As with other works in the collection ‘Anima Mundi’ recurring motifs including camera phone images of the human impact on the planet and butterflies representing Chaos Theory. The concept illuminates the interconnectedness of all living things. From the collection entitled ‘ANIMA MUNDI’ spotlighting the intrinsic connection between all living things on the planet. This equitability of importance between all living organisms is underscored by challenging the usual hierarchy of foreground and background and giving equal significance in the compositions between figures, flora and fauna. The works are both allegorical and literal and simultaneously present a utopian and dystopian viewpoint. Self-portraits appear as ‘protector of the animals’ and environment, making up the majority of the canvas, but certain repeating themes are signifiers that in an otherwise halcyon landscape, all is not quite as it seems. The butterfly is a recurring motif representing the idea that initial small causes may ultimately have profound effects, such as the extensive impact of climate change. The camera phone panels are another recurring motif showing explicit warnings of the negative effects of human activities, unless there is a willingness to reconnect with the natural world.
Giclee on Canvas
21 W x 14 H x 1.25 D in
22.75 W x 15.75 H x 1.25 D in
White
Black Canvas
Yes
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United Kingdom
British artist Claire Milner was famously commissioned to create the Blue Marilyn portrait for Rihanna, widely featured by the global media, but her personal body of work is made up of paintings inspired by her time spent in Africa focusing on social and environmental issues. In May 2023 Milner was selected as one of fewer than ten artists worldwide for Active Membership of the Gallery Climate Coalition, along with several blue chip galleries, institutions and museums. Her work was selected by the conference organisers to be exhibited in the Blue Zone of COP26. She works in collections which are continuously evolving around the theme of nature, our place within it and encroachment upon it. Environmental references such as climate change and mass extinction have been the central focus of her image making for more than two decades. Her artworks include diverse mediums including paint, paper and collage, and as a signifier of her familial ties to Italy, she sometimes incorporates the ancient art of mosaic - famous for animal depictions – and crystal methodologies as a symbiosis of past and present. Her portrayal of animals’ interchanges between the metaphoric and the literal, yet the impact of humanity remains implicit, even when the human figure is absent or plays a minor role in the composition. Her process begins with extensive research, engaging in hours of study, compiling statistics and viewing painful imagery of the consequences of poaching, habitat loss and climate change. A great deal of consideration is given to the integration of this material into the final composition, where realistic and abstract elements coexist, alongside carefully selected art historical references and themes from classical literature forming a balance of topical and historical narratives. Milner’s work has been displayed in museum exhibitions in the UK and her paintings have been widely featured in the global media including the BBC, BLOUIN ARTINFO, Channel News Asia, Elle, Forbes, Huffington Post Arts, The Observer, Save Virunga, The Telegraph, The Times, Vogue Paris and Vogue India.
Artist featured by Saatchi Art in a collection
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