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LILAC IN THE EVENING WINDOW Print

Aleksandra Manzha

Kazakhstan

Open Edition Prints Available:
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12 x 16 in ($190)

12 x 16 in ($190)

24 x 32 in ($380)

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$325

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The most beautiful decoration of the May garden is the lilac. Lilac has a very delicate and pleasant aroma. It spreads throughout the garden, especially in the evening. It seems to me that May, and the whole spring in general, smells like lilacs. The picture was painted from life, so it conveys the ...

Year Created:

2021

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Size with Frame:

13.75 W x 17.75 H x 1.25 D in

Ready to Hang:

Yes

Frame:

White

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

My name is Alexandra Manzha, I am a Siberian artist, born in 1987. I have been drawing since childhood, studied at an art school, then at the Novosibirsk State Art College. As an artist, I wonder about the position of the border between childhood and maturity, about the nature of the concept of “adulthood” and “childishness.” Why does being an adult mean losing sensitivity, the ability to perceive something new? How do “uncles” and “aunts” grow out of children who are open, dreaming, and inquisitive? At what point does the radical change occur? Where is this point of no return and where does the “little prince” go? How is it that he squanders interest in other worlds? To maintain this childish perception of the world, I am attuning my inner sensory vision. It helps me to see the intangible, subtle matter. This barely perceptible auratic substance permeates everything in this world, connecting the incompatible. I use the metamodernist technique of oscillating between and beyond multiple disparate horizons. My characters strike a delicate balance between free will and flow, sincerity and irony, integrity and duality, clarity and ambiguity, and natural and magical. They are always looking for the truth, not hoping to find it. I explore the amorphous, intangible aura through the bodily shell. An aura is a certain substance, composition, and property that has yet to be revealed. I find unique ways to have an auratic experience without being repelled by this liquid substance.

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