18
"La fontaine à palabres" Fine Art Print
$40
Material
- 100% cotton, acid-free, museum quality paper
- Printed with archival pigmented inks
- Has a 2"-3" white border with matte finish
Size
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Selected in collection "New This Week 11-04-2013" curated by Rebecca Wilson. Bright colors, predominantly blue and yellow. Disordered letters escape from a horizontal jar and are lost in a pool, carried away by the current. To the right of the canvas, an evocation of a cargo ship's bow. (can also b...
Year Created:
2013
Subject:
Styles:
Medium:
Print, Giclee on Fine Art Paper
Rarity:
Open Edition
Size:
12 W x 9 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Need more information?
Christophe Mercier
Switzerland
- Photo: Naples, Italy, March 2019 - Born April 1947, married, 2 children, 5 grand children. - Graduated in economics, then swiss banker in private banking from 1974 to 2007. - Started drawing in travel sketchbooks (self taught) at the age of 48 in 1995, and painting much later in 2007 at the age of 60. - Former "urban sketcher", from 2020, writer of historical novels. My desire to paint comes from the interest for expressing something aesthetic or gaudy, for finding an unstable equilibrium, for experimenting with different approaches, for renewal, testing, trying. Even though I’ve done mini-series, I don’t like to stick to one repetitive process. To me, painting is a dialogue between control and letting go and abstraction is of particular interest because it allows us to to express things that would otherwise escape our senses. It’s still a large field, even though everything is supposed to have already been made.
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Artist featured by Saatchi Art in a collection
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