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Canvas
14 x 21 in ($129)
White Canvas
White ($150)
63 Views
2
Artist featured in a collection
The common words on many Cenotaphs around the world is “LEST WE FORGET.” Cenotaphs are monuments often erected to commemorate the heroes of war. The outbreak of the coronavirus produced our unlikely heroes; our front-line warriors that rose up to the task of defending and saving many people from death of coronavirus. This painting was done in honour of our unlikely heroes; As we honour the living, LEST WE FORGET our falling Unlikely Heroes which is the tittle of this painting. Lest we forget Our unlikely heroes As week by week by our doors’ steps With hands, pans and pots applauded As they answered the call of duty Gallantly like courageous armies, With People of commonwealth and foreign-born, With the common purpose to serve and protect, The Queen and the country they love so dear. Lest we forget Our unlikely heroes, Once Overworked, under paid, under valued Our only forces of defence still they were On the evil days of pandemic. Worn out and tired, still they battled on With little thought of their own safety. Separated from their loved ones To save the lives of many. Lest we forget The pregnant nurse and the aged doctors Out of retirements they came To pay the ultimate price To deliver many souls From the jaw of the devourer. As we continue to honour the living, Our fallen unlikely heroes Lest we forget.
2020
Giclee on Canvas
14 W x 21 H x 1.25 D in
15.75 W x 22.75 H x 1.25 D in
White
White Canvas
Yes
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United Kingdom
O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.
Artist featured by Saatchi Art in a collection
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