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Fine Art Paper
12 x 9 in ($40)
White ($80)
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Artist featured in a collection
Jones' work explores the materiality of paint in relation to memory, primarily utilising cinematic source imagery of 90s romantic comedies and cult classics as a means to address the intangible nature of nostalgia through the constructs of film and painting. Impersonal and personal all at once, they allude to fragmented space whilst conjuring an internalised or other world. Her longstanding exploration of the materiality of paint in relation to memory continues in this work, harnessing aspects of surface detail as a painterly vehicle to grasp at the intangible. Painted for Jones' recent solo exhibition 'Tales from the Cutting Room Floor', this work was inspired by an amalgamation of early 90s comedies. Having a bit of fun with this work, Jones references the other-self/women she paints wanting to jump in a getaway car and drive off to some sunny tropical paradise. This exemplifies her dabbles with photo-realism perfectly combined with painterly marks. It was also a pioneering work in regards to layering imagery, and exploring the liminal line between worlds and time that peppers her most recent works - it is almost as though Jones has been trimming the film and scooped up the planes of space and placed them on one another, ready for the get away car to slide off the canvas at any given moment.
2020
Giclee on Fine Art Paper
12 W x 9 H x 0.1 D in
17.25 W x 14.25 H x 1.2 D in
White
Yes
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United Kingdom
Lucia Jones is a Welsh painter. Since graduating from Falmouth University, she has exhibited globally in solo and group exhibitions including BEEP Painting Prize 2018. She has also been long listed for a number of art prizes such as John Moores 2020, Jacksons Art Prize 2022 and 2023. Her work is currently held in private collections in the UK, USA, Austria and Hong Kong. Jones’ practice explores memory and perception of self through the constructs of paint and film. Primarily utilising cinematic source imagery from obscure 1950s-90s b-movies, she addresses the intangible nature of memory and the shifting impressions of lived moments. Re-contextualising women from these sources, the paintings form a series of anonymised figures occupying fractured and fabricated environments. Liberated from their original medium and plains of existence, they are absorbed into the painted realm developed throughout her oeuvre; their context reconstructed and their world shaped around them, they act as cyphers to the experienced - to be glimpsed and examined. For further work, please visit
Artist featured by Saatchi Art in a collection
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