149 Views
3
View In My Room
Philip Leister
Canvas
16 x 16 in ($125)
Black Canvas
White ($150)
149 Views
3
Artist featured in a collection
My makeup is dry and it cracks 'round my chin I'm drowning my sorrows in whisky and gin The lion tamer's whip doesn't crack anymore The lions, they won't bite and the tigers won't roar La-la-la-la-la-la-la-la-la-la So let's go and drink to the death of a clown Won't someone help me to break up this crown? Let's all drink to the death of a clown La-la-la-la-la-la-la-la-la-la Let's all drink to the death of a clown The old fortune teller lies dead on the floor Nobody needs fortunes told anymore The trainer of insects is crouched on his knees And frantically looking for runaway fleas La-la-la-la-la-la-la-la-la-la Let's all drink to the death of a clown So won't someone help me to break up this crown? Let's all drink to the death of a clown La-la-la-la-la-la-la-la-la-la Let's all drink to the death of a clown La-la-la-la-la-la-la-la-la-la La-la-la-la-la-la-la-la-la-la La-la-la-la-la-la-la-la-la-la La-la-la-la-la-la-la-la-la-la ‘Death Of A Clown’ by The Kinks Songwriters: Dave Davies / Ray Davies "Death of a Clown" is a song by Dave Davies, member of British rock group the Kinks, released as his debut solo single in 1967. The song was co-written with his brother Ray Davies, who contributed the 5-bar "La la la" hook; Ray's first wife, Rasa, sings this phrase as well as descant in the second verse, while Ray himself sings harmony in the refrain. Nicky Hopkins played the distinctive introduction, using fingerpicks on the strings of a piano. The single was credited to Dave Davies but the song also appeared on the Kinks' album Something Else by the Kinks, released later in 1967. In an interview with Yahoo!, Dave Davies said that "Death of a Clown" was written about the repetitive performing schedule he and the rest of the Kinks worked through. He said, "One night I nodded off at a party and woke up and saw all these decadent people running around. I had a vision of being a circus clown. I thought, “What are we doing?” We were going from day to day to day like performing seals. And that's where I got the idea for 'Death of a Clown.' I went back to me mum's house with the same old out-of-tune piano and I plunked out three notes, and it turned into the song." The single release was met with considerable success in the UK, hitting #3, thus prompting Dave Davies to consider embarking on a solo career. When subsequent singles were met with less success, the idea was set aside until 1980, with his debut album being AFL1-3603. The Kinks are an English rock band formed in Muswell Hill, north London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965 (as a result of constant fighting between the brothers). Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Their music was influenced by a wide range of genres, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. They gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style. Early works included albums such as Face to Face (1966), Something Else (1967), The Kinks Are the Village Green Preservation Society (1968), Arthur (1969), Lola Versus Powerman (1970), and Muswell Hillbillies (1971), along with their accompanying singles. After a fallow period in the mid-1970s, the band experienced a revival during the late 1970s and early 1980s with their albums Sleepwalker (1977), Misfits (1978), Low Budget (1979), Give the People What They Want (1981) and State of Confusion (1983). In addition, groups such as Van Halen, the Jam, the Knack, the Pretenders, The Raincoats and the Fall covered their songs, helping to boost the Kinks' record sales. In the 1990s, Britpop acts such as Blur and Oasiscited the band as a major influence. Ray Davies (rhythm guitar, lead vocals, keyboards) and Dave Davies (lead guitar, vocals) remained members throughout the band's 32-year run. Longest-serving member Mick Avory (drums and percussion) was replaced by Bob Henrit, formerly of Argent, in 1984. Original bass guitarist Pete Quaife was replaced by John Dalton in 1969. After Dalton's 1976 departure, Andy Pyle briefly served as the band's bassist before being replaced by Argent bassist Jim Rodford in 1978. Session keyboardist Nicky Hopkins accompanied the band in the studio for many of their recordings in the mid-to-late 1960s. The band became an official five-piece in 1970, when keyboardist John Gosling joined them. Gosling quit in 1978; he was first replaced by ex-Pretty Things member Gordon Edwards, then more permanently by Ian Gibbons in 1979. The band gave its last public performance in 1996 and broke up in 1997 as a result of creative tension between the Davies brothers. The Kinks have had five Top 10 singles on the US Billboard chart. Nine of their albums charted in the Top 40. In the UK, they have had seventeen Top 20 singles and five Top 10 albums. Four Kinks albums have been certified gold by the RIAAand the band have sold over 50 million records worldwide. Among numerous honours, they received the Ivor Novello Award for "Outstanding Service to British Music". In 1990, the original four members of The Kinks were inducted into the Rock and Roll Hall of Fame, as well as the UK Music Hall of Fame in November 2005. In 2018, after years of ruling out a reunion, Ray Davies and Dave Davies announced they were working to reform the Kinks. Source: Wikipedia
2020
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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