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ABOUT THE ARTWORK
This canvas is the tenth piece of the serie "Outside the box" wich gives rise to the link between painting and architecture. This painting proposes an interest in the appreciation and significance of light that painting and architecture have shared throughout history, light as an intangible matter, a question addressed by many artists, from different points of view. It is really interesting how Leonardo Da Vinci describes with maximum detail the application and the meaning of light and shadow. "Shadow is a lack of light and only the resistance of opaque bodies that prevent rays of light. By its nature, shadow belongs to darkness, while light, by its nature, belongs to luminosity. It hides, the other reveals. Shadow is the means by which bodies reveal their forms. Thus darkness is the first link in shadow and light the last. " From architecture there are also very interesting conceptions about light, such as the comparison that the architect Navarro Baldeweg makes of architecture with a musical instrument that, when pierced by light, was capable of sounding.
DETAILS AND DIMENSIONS
Print:
Giclee on Fine Art Paper
Size:
8 W x 10 H x 0.1 D in
Size with Frame:
13.25 W x 15.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Rodrigo as known as Erre is an architect and a graduate in fine arts, this is something that can be deduced when paying attention to his painting, which explores the relationship between painting and architecture through compositions that seek meeting points between the two, for this he does not hesitate to review with great interest the development of these throughout history, in order to discover the evolution of different ideas that have led him to opt mainly for the relationship between light and geometry. For almost a decade his interest in the aforementioned concepts, especially light as an intangible material to compose, is reflected through predominantly abstract compositions, with numerous keys from the history of architecture. Little by little the development of his painting, like architecture itself today, is taking more interest in the landscape and the environment that surrounds it and therefore it is possible to intuit a formal evolution from its mostly abstract starting point to his current painting in which there is a certain approach towards figurative.
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