226 Views
2
View In My Room
Philip Leister
Canvas
16 x 20 in ($120)
Black Canvas
White ($160)
226 Views
2
Artist featured in a collection
We are young (Heartache to heartache) Heartache to heartache (We stand) We stand No promises (No demands) No demands (Love is a battlefield) Love is a battlefield Whoa We are strong No one can tell us we're wrong Searching our hearts for so long Both of us knowing Love is a battlefield You're making me go Then making me stay Why do you hurt me so bad? It would help me to know Do I stand in your way Or am I the best thing you've had? Believe me, believe me I can't tell you why But I'm trapped by your love And I'm chained to your side We are young Heartache to heartache We stand No promises No demands Love is a battlefield We are strong No one can tell us we're wrong Searching our hearts for so long Both of us knowing Love is a battlefield When I'm losing control Will you turn me away Or touch me deep inside? And when all this gets old Will it still feel the same There's no way this will die But if we get much closer I could lose control And if your heart surrenders You'll need me to hold We are young Heartache to heartache We stand No promises No demands Love is a battlefield We are strong No one can tell us we're wrong Searching our hearts for so long Both of us knowing Love is a battlefield ‘Love Is A Battlefield’ by Pat Benatar Songwriters: Holly Knight / Mike Chapman "Love Is a Battlefield" is a song by American singer Pat Benatar, recorded and released on September 12, 1983, as a single from Benatar's live album Live from Earth (1983), though the song itself was a studio recording. It was written by Holly Knight and Mike Chapman. The song was ranked at number 30 in VH1's list of the 100 Greatest Songs of the 1980s. "Love Is a Battlefield" went on to sell over a million record. Source: Wikipedia
2022
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
Black Canvas
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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