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Canvas
16 x 12 in ($100)
Black Canvas
White ($135)
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Diptych "Many and One" & "One and Many" Each painting has size 60x40 cm, and together 60x80 cm. In the end of the 2020 year I received the invitation to participate in a new exhibition “Earth.ver.20.21”. Artists were invited to think about the future of our planet. So I’ve been thinking about it for several months. There are people who try to understand the importance of the harmonic interaction between Human and Nature, and the number of them increases from year to year. The paradox is that nothing really changes for better in our environment. If there are some changes, they are so tiny that they cannot overcome the huge negative impact of human activities on our planet. I think that at least part of the problem is related to the philosophical presuppositions of today’s science. First of all I’m talking about Cartesian dualism that had formed the philosophical foundations of the Modern science. According to Descartes there exist two substantially different entities which by definition cannot, but, nevertheless, interact with each other. From this assumption followed the conclusion that the human mind and Nature exist separately. Moreover, humans were identified with their minds, not with their bodies and Nature. From this way of reasoning follows that it doesn’t matter what happens to our bodies and environment because these are just some sophisticated mechanisms, which can be fixed by scientists whenever it’s needed. Some aspects of this philosophy and its consequences you can see in the painting “Many and One”. The title of the painting refers to the fourth hypothesis from Plato’s dialog “Parmenides”. The second painting continues my search for a possible way to the future of our planet. In contrast to the mechanical point of view, there is some thought about the harmonious balance of Humane and Nature. People can live in accordance with the natural rhythms of the planet with respect for Earth. But I have a real problem with describing the philosophical views that may be responsible for such a relationship between Man and Nature. I advisedly don’t touch some ancient doctrines though they are indeed brilliant and complete, but cannot be applied by contemporary science. I think that some insights for those goals can be taken from philosophical ideas of E. Husserl, M. Heidegger, L. von Bertalanffy and others. Some possible consequences from those philosophical presupposition you can see in the painting “One and Many”. Some important phrases are written on the roots of the tree as a symbol that these ideas can take root and change our world for the better. The title of the painting refers to the fifth hypothesis from Plato’s dialog “Parmenides”.
2021
Giclee on Canvas
16 W x 12 H x 1.25 D in
17.75 W x 13.75 H x 1.25 D in
White
Black Canvas
Yes
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Lyashenko Victoria was born on October 9, 1993 in Odessa, Ukraine. She currently lives and works there. Victoria felt the need for creativity since childhood. At the age of 6, she painted all the walls in her house, which forced her parents to send her to an art school. After that, she entered and graduated from the Grekov Odessa Art School. During the years of study at the school, she had mastered a variety of techniques and styles. She feels comfortable working with oil, acrylic, pastels, and various graphic materials. She has a special love for watercolor painting. She paints her works in the portrait and landscape genre. A separate part of her work is symbolic painting in mixed media. In all her works, the artist aims to highlight the bright side of a human soul. “Through my art, I am looking for a way to reach the human soul and awaken it to a holistic and bright life”
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