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ABOUT THE ARTWORK
This work is inspired by the crazy energy of the Mardi Gras. It has been my intention to express joy and freedom. The work is intended to bring vibrancy to any setting. I've been experimenting with the relational aesthetics of colour, their ability to change when placed beside other colours. In this work I chose all highly vibrant colours, any of which would stand out against more neutral colours. Like the headiness of a Mardi Gras, the work spirals and contains delight, drawing in the viewer. This work is ready to hang. The painting continues on to painted sides which provides an appropriate framing without any extra frame.
DETAILS AND DIMENSIONS
Print:
Giclee on Fine Art Paper
Size:
10 W x 10 H x 0.1 D in
Size with Frame:
15.25 W x 15.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Lynda Firth
Australia
COLOUR, HARMONY AND CHAOS: EXPLORING RELATIONAL AESTHETICS. Originally from England and now living in Australia, I've been studying and practising art since 1969. My desire is to explore the relational aesthetics of colour. I am puzzled by the limits that colour theory places on the trained eye. We are led to believe that colours clash, chaos lacks appeal and including colour neutrality and tonality is needed for harmony. Yet contemporary art movements have significantly challenged these assumptions. Op art, pop art, colour field artists and abstract expressionism are just a few examples of these challenges. Artworks require balance for integrity yet, like avant garde music, that balance can be achieved by developing harmony as chaos. Colour relations seem to be crucial. This is my fascination. Personally, I've had three solo exhibitions and seventeen group exhibitions and have sold art pieces for some years now. I've been winner or finalist in three prizes so consider myself an established artist. My motivation is to break the old rules of colour relations in order to find the beauty in the harmonic chaos.
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