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Marylin at Klimts Print

Walter Loepfe

Switzerland

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 10 in ($40)

10 x 10 in ($40)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$40

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The painting is oil on canvas in the by Gustav Klimt in his later years preferred mesurment of 100x100.The face of Marylin Monroes with is glamours smile and Gustav Klimts decorative art inspired this painting. Its an interpretation of the Vienniese Art Deco style mixed with the glamour of a star li...

Year Created:

2022

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

A pinch of Hodler a wiff of modern graphics and a abundance of me It began in early childhood, after visiting artschool and an apprentiship as a windowdresser came the love for any sort of pictures, comics, photos, oils, watercolour etc. After extensive travels in Europe, Russia and the Middle East as well as a couple of years in Scandinavia trained my eye for extreme light and shade situations and showed a great love for nature and landscapes. The life in South Africa extended the love and understanding of colour and athmosphaere. Back in Switzerland I found all these aspects in the works of the Impressionists especially Ferdinand Hodler, Cuno Amiet, Felix Valoton, Giovanni Giacometti etc. Their deap understanding and interpretation of mountains and landscapes with their allways changing colours and impressive monumental structures lead to my own interpretations. These are most often put in my studio early in the morning with nthe means of watercolour or oils and on the base of scetches, watercolours, textfragments and photographs, on to paper, wood or canvas. "But he eye realizes more then there is space on a canvas" witch means an unending yet inspiring struggle for me.

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