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Original Abstract Landscape Painting by Mauricio Piza
Original Abstract Landscape Painting by Mauricio Piza
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Original Abstract Landscape Painting by Mauricio Piza
small-02
Original Abstract Landscape Painting by Mauricio Piza
Original Abstract Landscape Painting by Mauricio Piza
Original Abstract Landscape Painting by Mauricio Piza
Original Abstract Landscape Painting by Mauricio Piza
Original Abstract Landscape Painting by Mauricio Piza

1

"Melodia Eslava (Slav Melody)" Fine Art Print

Mauricio Piza, Brazil

$134

Material

  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas

Size

16 x 20 in ($134)
Select a Canvas Wrap
Black Canvas

Frame

No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Abstracted landscape

Year Created:

2014

Subject:

Styles:

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Contact us.

Need more information?

Contact us.
Mauricio Piza

About the Artist

Mauricio Piza

Brazil

I am a painter with a penchant for the urban, for the cityscape. And I like the city I live in: Sao Paulo, the biggest city in South America, almost 20 million strong if you consider the greater Sao Paulo area. But I am not a realist or a naturalist painter. I love the city as filtered through memory and imagination, through the use of childlike signs and symbols, existing in those ambiguous spaces of dreams and cubism. The places depicted are generally identified after the fact and in a very subjective manner. I do not really expect people to see there the same things that I do. The titles of the paintings just add to their poetry. I am guided by Ut Poesis Pictura; not "as in painting so is poetry" but "as in poetry so is painting". I think that what cannot be expressed through concepts, through strict verbal discourse is much more important than what can. Art is what escapes through the cracks.

Recognition:

  • Artist featured in a collection

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